And if you’re sequencing Bass Synth with Maschine Jam, you can use the top row of buttons in the step sequencer to turn Glide on and off for each step, aciiiid-style! 2. The tip here, then, is: don’t overlook Bass Synth! It may not be a particularly flexible or versatile instrument, but when you need a cone-rattling b-line in a hurry, it’s a fantastic option. It also comes with a decent list of presets (in the browser’s Sounds section), complete with effects chains. Like its stablemates Drum Synth and Sampler, Bass Synth has been designed with hands-on tweakability in mind, the main page offering control over oscillator waveform (morphing from sine to square via saw and triangle), filter (including envelope modulation) and distortion, and Glide on/off slipping into page 2. Maschine 2.7 introduced Bass Synth, a quick and easy monosynth with a beefy, squelchy 303-esque sound. If you want to give your Maschine skills a tune-up, read on.
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